SELECTED PRESS Book By Its Cover, May 15, 2008 "This book is co-published by [PictureBox] and the gallery that represents both the artists featured, Eddie Martinez and Chuck Webster. This book is actually two separate hardcover books for each artist held together with a band of paper. " full article Art in America, April 2008 "Javier Piñón’s collages of cowboys in desert settings address the appeal of the Western frontier and its underlying myth of America’s power." full article Art in America, March 2008 "In both his drawings and photographs, Nichols shows us the fundamental joys of mark-making, and an abiding sense of intimacy. But the text works, like the photographs, hint at an external world beyond the gallery." full article The New Yorker, February 20, 2008 "this small and lovely exhibition showcases visual art by bards." full article Art Review, February 2008 "JAVIER PINON, in contrast, seems to have managed to keep that icon from devolving into a punchline or a photo-op, but that is because Piñón has never thought of the character of the cowboy strictly within the vernacular of the American West." full article The Brooklyn Rail, October 2007 "Chuck Webster’s most recent thicket of images triggers a response from somewhere between the senses, a place where the eye’s ear is activated through optically tympanic vibrations." full article Art Papers, May/June 2007 "Chuck Webster’s painted world is slightly askew, buttressed by a forest of drawings that emerge, twenty to thirty at a time, when he starts his daily work routine." full article Artforum, May 2007 "[Stokes's] film (presumably named after Jimmy Radcliffe’s soulful version of the Burt Bacharach song) is antididactic, an object lesson in the pure scopophilic joy of watching people dance." full article Time Out New York, March 22-28, 2007 "It’s easy to see why Long After Tonight, Matt Stokes’s film about music lovers in dervishlike ecstasy, won Britain’s top prize for emerging artists, the Beck’s Futures award, in 2006. The piece is stunning." full article New Yorker, January 15, 2007 "From the front, Womack’s ingenious construction looks like one panel of a fabulous disco pyramid, with hundreds of small mirrors glittering in a concentric square pattern." full article Sculpture Magazine, November 2006 "[Mike Womack’s Heat Is Not Made of Tiny Hot Things] is a brilliant composite not only of materials but also of process, and its meaning suggests both high-tech complexity and pain-staking craft. Visually sophisticated, it offers a crowd-pleasing, spectacularly changing view." full article Bon International, Fall 2006 "[Brooklyn] is where three of the city’s most interesting artists of the moment are working. They are Wes Lang, Jules de Balincourt and Eddie Martinez. They are pals who hang out when they are not making art. They also share a whole bunch of aesthetic ideas." full article Art In America, October 2006 "Eddie Martinez's promising solo debut is full of joyous work that creates its own entrancing world." full article Frieze, September 2006 "Stopping by the day before the opening, I found most of the 21 artists looking a bit bleary-eyed but working earnestly at the long tables that ran the length of the gallery. The mood was jovial but also concentrated. There was little horseplay and no spitball fights." full article ArtReview, June 2006 "The repetition of motifs in Martinez’s paintings is not just compulsive, however, nor is it necessarily fantastical. Repetition of this kind is an outward sign of an elaborate ongoing "dialogue" between an external "real" environment and the internal syntax of painting as a genre." full article New York Magazine, May 15, 2006 "The people whose ideas, power, and sheer will are changing New York." full article The Phoenix, April 12 2006 "David Ellis, Chuck Webster, and Yuri Shimojo sat down with the Phoenix to discuss their new installation at SPACE Gallery. Together with Mike Houston, the group represented the Barnstormers, a collective based in New York, Tokyo, and North Carolina." full article Art on Paper, March/April 2006 "Combining a fascination with Americana with the aesthetic spareness of Chinese painting and calligraphy, Nichols' most recent work mused on New York City taxicab culture." full article ArtReview, March 2006 "The phonebook for the district of Chelsea contains entries for more than 150 art galleries. Lauren Stakias dials up 30 of the more interesting." full article The New York Observer, February 6, 2006 "When notice came of [P.S.1's] The Painted World, an “intergenerational” overview of abstract painting, my curiosity got the better of me.... That, and the fact that the exhibition included canvases by Myron Stout (1908-87), one of my favorite 20th-century American artists, and Chuck Webster, who could turn out to be one of my favorite 21st-century artists." full article Artforum.com, January 2006 "Binghamton, NY–based artist Chuck Webster makes good use of his time. Following hot on the heels of a solo show of paintings held exactly one year ago, his latest exhibition contains an impressive number of drawings." full article Art in America, January 2006 "The titled of Caracas-born, Brooklyn-based Stephen Bitterolf’s exhibition, 'Mostly Cloudy,' reflects his ambiguous forecast for the war in Iraq." full article Artforum, November 2005 "Children’s playgrounds have long been characterized by a combination of artificial materials, intense colors, and oversize geometric forms, making them natural subjects for an artist interested in the flows of influence among Minimalist sculpture, civic architecture, and social anthropology." full article New Yorker, July 2005 "Weiner’s gentle take on the forging of the Western frontier..." full article New York Sun, July 2005 "I fell for Karin Weiner’s “Frontiera” in spite of myself." full article New York Observer, January 2005 "Mr. Webster's frumpy, emblematic shapes are meticulously limned and sandwiched, often comically, within the parameters of the picture's edge. They're whimsical, not a little pathetic and somewhat melancholic." full article New York Times, October 2004 "With a finely pointed pen in black ink and a meticulous touch, this Vancouver-based artist draws cartoons about a bald, long-nosed, sad-sack of a character called 'Schmo'." full article Artforum, October 2004 "The vapidity of the visual and textual sentiments of readymade greeting cards is hard to top, and their consequent potential as ground for collage is equally hard to resist..." full article Chicago Tribune, October 2004 "Looking like something you might find in Martha Stewart's prison cell, Sally-Ann Rowland's pretty, beaded cross-stitched samplers, a handful of which are on display with John Neff's panels at Western Exhibitions gallery through Oct. 30, lend a dose of acid to a fondly domestic pursuit." full article New Yorker, July 2004 "Portraits of North American birds, bats, and rodents drawn in ink on brown rag paper. Walker isolates the heads and omits the captions of the field guides, breeding manuals, and scientific texts from which the images were culled." full article New York Times, April 2004 "Mr. Pretorius's comical, vividly illustrative paintings depict allegorically suggestive scenes..." full article New York Sun, October 2003 "Come December, Zieher Smith will feature a few Cornell boxes and collages, plus a vitrine of Cornell ephemera and memorabilia." full article Wall Street Journal, September 2003 "The hot young artist Stephen Bitterolf (Ashton Hawkins, head of the American Council on Cultural Policy, owns several of his pieces) is influenced by 16th-century German artist Albrecht Durer, with an eye for the natural world." full article New York Times, September 2003 "A skillful craftsman, Mr. Ayers makes wooden versions of objects that have to do with seeing..." full article New York Observer, August 2003 "...here comes Chuck Webster with his 163 works on paper -- tacked gingerly to the wall and running edge-to-edge around the perimeter of the ZieherSmith Gallery, with a pause provided by 15 framed pieces." full article New York Times, July 2003 "Mr. Webster's playful semiabstract compositions, painted and drawn with brusque immediacy on small, distressed pieces of paper, include mandalas, crystalline fields, frames within frames, circulating sperms..." full article Artforum.com, May 2003 "Javier Piñón grew up in Texas, which may partially account for the cowboy theme in his works. But he's tapping into an iconography that cuts across regional lines." full article Contemporary Magazine, February 2003 "ZieherSmith opened on 15 March with a group exhibition titled Dreamy that showcased the work of 14 artists." full article